Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, “hired to write for every small paper in Washington, D.C., just as it was about to fold,” saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR’s award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR’s eight-part series “American Stages,” exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.’s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he’s proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he’s produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year,” he says. “As most people see in a lifetime."

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2:43pm

Fri May 23, 2014
Movie Reviews

Seeing The New 'X-Men'? Take Along A Teenager To Explain

Originally published on Fri May 23, 2014 4:36 pm

Professor Xavier and Magneto scheme to send Wolverine back to the Nixon-era past to avert a devastating war in X-Men: Days of Future Past.
Alan Markfield/Twentieth Century Fox

The final "X" in the 20th Century Fox logo glows for an extra second as X-Men: Days of Future Past gets started, but what follows is darker than dark — a bleak, dire future in which all of Manhattan is a mutant prison camp.

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2:21pm

Fri May 2, 2014
Movie Reviews

In 'Belle,' A Complex Life Tangled In Class And Commerce

Originally published on Sat May 3, 2014 9:17 am

Gugu Mbatha-Raw plays Dido Elizabeth Belle, the illegitimate daughter of a British admiral.
David Appleby/Fox Searchlight

Here's a unique specialty for a movie studio: slavery films. Last year, Fox Searchlight brought us an Oscar winner about a free black man hauled into 12 years of slavery. Now, in Amma Asante's Belle, the company is releasing what's essentially the reverse of that story — a similarly torn-from-life (though significantly less wrenching) tale of a slave girl who had the great good fortune to be raised as a British aristocrat.

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8:01am

Sun April 20, 2014
Movie Reviews

'Fading Gigolo' Full Of Loneliness And Longing

Originally published on Mon May 12, 2014 11:34 am

Transcript

RACHEL MARTIN, HOST:

Actor John Turturro is known for his work in films like "Quiz Show" and "The Big Lebowski." With his long face and hang-dog look, he's probably not what you'd call a matinee idol. But he went ahead and cast himself as the title character in his new movie, "Fading Gigolo." And he cast Woody Allen as his pimp. Critic Bob Mondello says it's easy to imagine ways this concept might go terribly wrong, but it doesn't.

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2:08pm

Fri April 18, 2014
Movie Reviews

Loneliness And Longing — And Woody Allen — In 'Fading Gigolo'

Originally published on Fri April 18, 2014 5:13 pm

John Turturro plays a gigolo — and Woody Allen is his pimp — in the new Fading Gigolo.
Millennium Entertainment

With his long face and hangdog appearance, actor John Turturro is no one's idea of a matinee idol — not even his own — so he raised a lot of eyebrows when he cast himself as the title character in Fading Gigolo. Even more when he cast Woody Allen as his pimp. So it may come as a relief when things don't go as wrong with what turns out to be a surprisingly sweet little dramedy as they might have.

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2:40pm

Fri April 11, 2014
Movie Reviews

Big Names, High Production Values ... And These Are Indie Flicks?

Originally published on Fri April 11, 2014 6:13 pm

Tom Hiddleston and Tilda Swinton play some really hip vampires in Jim Jarmusch's Only Lovers Left Alive.
Sandro Kopp Courtesy of Sony Pictures Classics

A small budget doesn't mean a film can't have big-name stars or high production values. Witness the rural Southern drama Joe, which brings Nicolas Cage back to indie films, and Jim Jarmusch's Only Lovers Left Alive, which turns the city of Detroit into an otherworldly landscape. Their low-budget aesthetic also allows these films to turn Hollywood conventions inside out.

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