Bob Mondello

Bob Mondello, who jokes that he was a jinx at the beginning of his critical career, “hired to write for every small paper in Washington, D.C., just as it was about to fold,” saw that jink broken in 1984, when he came to NPR.

For more than a quarter-century, Mondello has reviewed movies and covered the arts for NPR News, seeing at least 250 films and 100 plays annually, then sharing critiques and commentaries about the most intriguing on NPR’s award-winning newsmagazine All Things Considered. In 2005, he conceived and co-produced NPR’s eight-part series “American Stages,” exploring the history, reach, and accomplishments of the regional theater movement.

Mondello has also written about the arts for such diverse publications as USA Today, The Washington Post, and Preservation Magazine, as well as for commercial and public television stations. And he has been a lead theater critic for Washington City Paper, D.C.’s leading alternative weekly, since 1987.

Before becoming a professional critic, Mondello spent more than a decade in entertainment advertising, working in public relations for a chain of movie theaters, where he learned the ins and outs of the film industry, and for an independent repertory theater, where he reveled in film history.

Asked what NPR pieces he’s proudest of, he points to commentaries on silent films – a bit of a trick on radio – and cultural features he’s produced from Argentina, where he and his partner have a second home. An avid traveler, Mondello even spends his vacations watching movies and plays in other countries. "I see as many movies in a year,” he says. “As most people see in a lifetime."

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2:11am

Sun August 25, 2013
Movie Reviews

Teenage Graceland: A Temporary Home For Troubled Kids

Originally published on Sun August 25, 2013 9:22 am

In Short Term 12, Grace (Brie Larson) counsels Marcus (Keith Stanfield), an angry young man about to age out of the foster care system.
Cinedigm

A group foster home + abused and at-risk kids + tough love + junior staff nearly as troubled as their charges: The potential for cliche is everywhere in Destin Cretton's enormously engaging Short Term 12, and — happily — is everywhere avoided. What might seem on paper a cloyingly sentimental heartwarmer becomes, in Cretton's hands, a briskly believable, often funny, always invigorating and ultimately wrenching story of emotional fortitude.

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2:31pm

Wed August 7, 2013
Arts & Life

Libraries' Leading Roles: On Stage, On Screen And In Song

Originally published on Thu August 8, 2013 2:04 pm

Poor Donna Reed: Her Mary would have ended up working in a library — shudder — if not for the matrimonial intervention of Jimmy Stewart's George Bailey. Happily, 1946's It's a Wonderful Life isn't the only lens through which pop culture assesses the worth of the institution and those who make it tick.
RKO Pictures Getty Images

When I was 9, I spent a lot of time at a public library just down the street; I was already a theater nerd, and it had a well-stocked theater section. Not just books, but original cast albums for Broadway shows old and new. One day, an addition: The Music Man, about a salesman who was crazy about a girl named, as one song put it, "Marrrrrrrion, madam librarian."

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4:16pm

Tue July 23, 2013
Monkey See

90 Years Later, 'Safety' Still The Last Word With Harold Lloyd

Originally published on Tue July 23, 2013 5:16 pm

Harold Lloyd (left) is the All-American Boy, a striver who'll brave nearly anything to get to the top and win The Girl. Noah Young is The Law (center) and Bill Strother is The Pal.
Criterion Collection

There may be no film image more iconic: Harold Lloyd, high above the street, dangling from the minute hand of a giant department-store clock.

The face of the clock swings down; the minute hand bends. It's been 90 years since the silent era's greatest daredevil shot that sequence, and it still has the power to prompt shrieks and laughter.

Lloyd's character was the All-American Boy, innocent in his horn-rimmed glasses, eager to climb the ladder of success — and like many a social striver before him, he was plagued by anxiety that he'd fall before he got to the top.

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4:14pm

Wed July 17, 2013
Arts & Life

For Actress Ruby Keeler, Another Opening, Another Show

Originally published on Wed July 17, 2013 5:11 pm

Broadway performer Ruby Keeler was a source of optimism for many during the Depression era, and nostalgia hit audiences hard when she returned to the stage decades later.
General Photographic Agency Getty Images

Ruby Keeler was an unknown actress when she starred in the 1933 production of Busby Berkeley's 42nd Street.

But the movie was so popular she was able to land two more splashy musicals that same year — and seven more by the end of the decade. There was nothing extraordinary about her talents as a vocalist or as an actress, but audiences of the Depression era really bought into Keeler's "innocent" onstage persona. In fact, they craved it.

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3:32pm

Mon July 15, 2013
The Salt

In Argentina, Coca-Cola Tests Market For 'Green' Coke

Originally published on Mon July 15, 2013 4:40 pm

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