Elizabeth Blair

This is the second in a three-part series about the intersection of education and the arts.

Let's start with a question from a standardized test: "How would the world be different if we all had a third eye in the back of our heads?"

It's not a typical standardized question, but as part of the Next Generation Creativity Survey, it's used to help measure creativity a bit like an IQ test measures intelligence. And it's not the only creativity test out there.

How we end up in life has a lot to do with where we came from. That theory gets a good workout in the play Good People, from Pulitzer Prize-winner David Lindsay-Abaire. When the show was on Broadway two years ago, the trade magazine Variety proclaimed that "If Good People isn't a hit, there is no justice in the land."

As it turns out, justice has been served: Good People is the most produced play in America this theatrical season. By the end of this summer, it will have been on stage in 17 different cities.

It's a story right out of the movies: The artistic director of one of the most prestigious ballet companies in the world is violently attacked. His attacker and the motive are shrouded in mystery. But behind these sensational headlines is a ballet company that is both legendary and plagued with scandals and infighting.

Let's face it. When you're a kid, sometimes adults can be a real drag. The new Captain Underpants book puts it this way: "Did you ever notice how grown-ups hate it when kids are having fun?"