Jewly Hight

On the coffee table of his cozy East Nashville apartment, Aaron Lee Tasjan has a notebook open to autobiographical scrawling — it's a kind of cheat sheet to his musical past, which he prepared, with his mother's help, just in case he forgot anything during his interview with NPR. To be fair, it isn't all that simple to retrace his weaving, winding musical path. The singer-songwriter tried out a variety of musical niches, cities and scenes before landing in Nashville.

Ask Rodney Crowell to point out musical mementos in his home 40 minutes south of Nashville, and he'll hurry you past the plaques commemorating his professional success. "I didn't put these up," he calls over his shoulder, striding down the hallway. "My wife did."

John Prine never really liked his singing voice. "The only reason I figured out I didn't like my old records to listen was I could hear how nervous I was, and how uncomfortable I was," the venerated musician says. "And who would want to sit around and listen to yourself being uncomfortable?"

Today, Prine is releasing The Tree of Forgiveness, his first album of new material in 13 years, to an audience that spans generations.

Bobby Osborne is trying to find his way back to the lakeside home where he first heard "Rocky Top," the song that would define his career as one half of the Osborne Brothers, one of bluegrass' most popular and innovative groups.

Dan Tyminski might have one of the most recognizable voices in acoustic music. He grew up in southern Vermont, fixated on traditional bluegrass and old country. While his friends were buying Def Leppard and AC/DC records, he was playing banjo.

Nashville gospel singers the McCrary Sisters know how to make a 500-strong crowd feel like they've been personally invited to the party.

One day in late February, the five members of Front Country were warming up for their record release show at the renowned bluegrass club the Station Inn, in their new home base of Nashville, Tenn. They'd never played most of these songs live before.

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