Hortense Calisher, a virtuoso of the form, once called the short story "an apocalypse in a teacup." It's a definition that suits the remarkable stories published this year by three literary superstars, and two dazzling newcomers with voices so distinctive we're likely to be hearing from them again. These stories are intense, evocative delights to be devoured singly when you have only a sliver of time, or savored in batches, at leisure, on a winter weekend.
The most dangerous trait a woman can possess is curiosity. That's what myths and religion would have us believe, anyway. Inquisitive Pandora unleashed sorrow upon the world. Eve got us kicked out of paradise. Blight on civilization it may be, but female curiosity is a gift to narrative and the quality my five favorite heroines of the year possess in spades.
Sometimes "the one that got away" is a book that was easy to overlook. A little gem of a first novel, or a memoir by an unknown writer that unexpectedly captured everyone's imagination.
But sometimes, it's the elephant in the room that you just haven't looked at yet. Everyone knows about it. It's one of the biggest sellers of all time. It's a cultural phenomenon — it's Fifty Shades of Grey. And I ignored it until I couldn't anymore.
In Quentin Tarantino's new film, Django Unchained, Jamie Foxx plays the title character, a freed slave turned bounty hunter searching for his wife and their plantation tormentors.
As is the case with all of Tarantino's films, Django Unchained is incredibly violent. We spoke to the director before the school shootings in Newtown, Conn., and before critics had taken him to task for the film's brutality. The film also is being debated for the way it brings humor to the story of slavery.