When Mexicans go to the polls on July 1 to choose their next president, a woman will be among the candidates, the first from a major political party. She belongs to the National Action Party — or PAN — the party of current President Felipe Calderon.
On a recent visit to the Mexican border city of Juarez, Josefina Vazquez Mota steps onto a catwalk that juts into the center of a long banquet hall crammed with table after table of women. When she speaks, they cheer.
When I heard that the Mexican literary legend Carlos Fuentes died Tuesday at 83, I remembered a long, easygoing interview I did with him years ago. We talked about many things — including what epitaph he wanted carved on his tombstone.
It was the autumn of 1995 and I was a reporter at The Washington Post, assigned to write a profile of the elegant, eloquent Fuentes. I draw on that story now, for twice-told tales worth telling.
Carlos Fuentes was the son of a Mexican diplomat and spent years living abroad, including in the United States. But Mexico — the country, its people and politics — was central to his writing.
Fuentes, one of the most influential Latin American writers, died Tuesday at a hospital in Mexico City at the age of 83. He was instrumental in bringing Latin American literature to an international audience, and he used his fiction to address what he saw as real-world injustices.
One of Mexico's greatest writers has died: Carlos Fuentes. He was 83. Fuentes was a central figure in the Latin American literary boom of the 1960s and '70s. And he was publishing fiction and essays until the end, including an essay published today in the Mexican newspaper Reforma. Our own book critic Alan Cheuse knew Fuentes and reviewed many of his novels. Hi, Alan.
ALAN CHEUSE, BYLINE: Hi, Robert.
SIEGEL: And first, give us a sense of the broad sweep of Carlos Fuentes' career, and what made his work so important?