There are many films about major religious events, but not many about the interior feelings of religion or spirituality. The new documentary Walking the Camino: Six Ways to Santiago is looking for that, and it comes pretty close.
Playing at film festivals around the globe for months Timâ€™s Vermeer has developed an appreciative audience. Itâ€™s a deserved reputation that may only expand now that itâ€™s finally showing in theaters.
When Rob Thomas created Veronica Mars, his show about a sharp-elbowed girl detective, he had an ulterior motive: He wanted to kill off the reigning queen of teenaged sleuths â€” one who's been around for more than 80 years.
"Nancy Drew," Thomas says, his soft-spoken affect barely betrayed by a trace of a snarl. "Like, I feel like she had her run."
Watching Wes Anderson's films can often feel like a tumble down a rabbit hole. With the opening credits comes entry into a world that's both weird and wonderful. The writer and director of movies like Rushmore, The Royal Tenenbaums and Moonrise Kingdom has long had a point of view that is completely original â€” even dating back to the fifth grade, when he and a friend dramatized a Kenny Rogers album.
"We built quite a nice set," Anderson recalls. "We just performed the whole album of The Gambler with puppets playing instruments."