More than half a century ago this week, on Aug. 12, 1958, some of the greatest jazz musicians of the day assembled in Harlem at what was, for them, the ungodly hour of 10 a.m. Fifty-seven players came to East 126th Street to have their picture taken for Esquire magazine.
Originally published on Mon August 27, 2012 11:02 am
Credit Scott Pohl / WKAR
All summer long, Weekend Edition has been sampling the sounds of America's street musicians. The latest to catch our ear is Alexis Dawdy, a young violinist who returned to her hometown of Lansing, Mich., to study at Michigan State University — and do a little busking on the side.
"I'm actually not a music major. This is really a hobby that accidentally became a profession," Dawdy says. "I'm studying linguistics, and I'm 17 credits out from graduation. My goal is to do it debt-free, and this helps a lot. This pays for books and this pays for food."
Even if you've never heard of Billy Edd Wheeler, you might recognize "Jackson," a song he wrote with the help of songwriting heavyweights Jerry Leiber and Mike Stoller back in 1963. It was a Top 20 pop hit for Lee Hazelwood and Nancy Sinatra in 1967, and got to No. 2 on the country charts that same year in a version by Johnny Cash and June Carter.
" 'Jackson' is a fun song," Wheeler says. "It's been my most famous and most lucrative song. It helped build our house."