Last weekend I was among the legion of ecstatic metalheads that had descended upon Baltimore to attend Maryland Deathfest. In its 10th year, the Sonar compound was bursting at the seams with fans from across the spectrum and around the globe, stoking a community that stays connected long after the outdoor stages on East Saratoga Street are taken down.
Today on Latin Roots from World Cafe, NPR's Jasmine Garsd discusses the history of Reggaeton. Born and raised in Buenos Aires, Garsd spent her teenage years hooked on Argentine rock. Garsd moved to the U.S. after high school and quickly encountered an eclectic mix of American music; now, she co-hosts NPR's Alt.Latino with Felix Contreras.
The Magnetic Fields' music provides one of several outlets for frontman Stephin Merritt's inspired songwriting. The band began recording a string of eclectic albums in 1993, and finally found mainstream recognition with 1999's three-disc 69 Love Songs.
Patrick Watson has a lovely, flexible voice and a gift for wringing evocative sounds out of everything from vintage keyboards to bicycle chains, but his real gift lies in his ability to maximize beauty at all times; to guide every noise in such a way that it coheres into something dramatic and graceful. When the Polaris Prize winner performs, he seems almost hypnotized by the sounds around him, yet every second and every unlikely component seems plotted to maximize its impact.