Marisa Anderson knows where American guitar music has been and where it is now, and probably possesses an inkling of where it can go. She's studied the history and musical nuance of blues, country and folk music through and through, and ingests it all in a style that's as raw as it true. But mostly, Anderson just wants to kick up some dirt — which isn't easy here, given that the NPR Music offices are relatively clean. (Mind the towering stacks of CDs, though. They could topple over at any time.)
Truth be told, Holly Williams brought me and many of my hardened colleagues to tears. The singer-songwriter has a magnificent way with words and phrasing, not to mention a country-music lineage that fills her with pride and guides her poignancy and subject matter.
John Grant's songs don't mess around: The music isn't complicated, while the lyrics function as darts of retort and thought. His album Pale Green Ghosts is decorated with synthesizers, his voice often drenched in reverb; those tools and textures help make the record strong and everlasting.
People ask me all the time to name my favorite Tiny Desk Concert. It's my desk and I've seen almost all of the nearly 400 concerts up close. So you'd think this would be easy. Moon Hooch have made it a lot easier.