Music can be a beautiful conversation — rarely is that more evident than in this Tiny Desk Concert performance with the father-son duo of Pedro Soler and Gaspar Claus. Soler plays a delicate, intimate version of flamenco guitar, while his son turns the cello into an exquisitely expressive voice. Though 45 years separate them, pay attention to how they communicate. Music as a living language, and an invisible emotional exchange, is clearly apparent in these improvisational compositions.
My favorite Tiny Desk Concert moments come when the NPR staff gathers around the desk for an artist they've never heard and walk away wanting more. I wasn't surprised to see that happen with Kishi Bashi — he is, after all, the one musician out of the 1,300 songs or so we previewed for All Songs Considered that we all agreed was a must-see at SXSW. He didn't disappoint.
Here's what's surprising about guitarist Nathan Salsburg: He writes passionate instrumental tales about racehorses and turns them into accessibly eclectic tunes. With a brilliant debut album (Affirmed) full of intricate and melodic fingerpicking, Salsburg is likely to become one of those names we all associate with American folk guitar.
The New York band Hospitality makes music that's unmistakably friendly and welcoming — it's hug-and-a-handshake pop that lives up to its name by jangling and chiming comfortably. The songs on the band's self-titled debut, out earlier this year, have a gliding quality to them that's immensely pleasing; Hospitality doesn't overwhelm so much as it wears listeners down with a subtle charm offensive.