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Arts & Life

Volunteers Thread Together Clues To Uncover CSU Collection's Mystery Owner

Courtesy of Patricia Gilert O'Neill
Volunteers at the CSU Avenir Museum of Design and Merchandising were thrilled to finally get a face to put to the hankie collection.

In the early 1990s, a man donated several boxes to Colorado State University’s Department of Design and Merchandising. In them were more than 1,100 handkerchiefs collected by his recently deceased aunt.

At the time, the handkerchiefs were cataloged and placed in storage. Over time, the details of their arrival were lost -- until two volunteers decided to unravel the mystery.

It started as an average assignment, said Marcella Wells, a volunteer with CSU’s Avenir Museum of Design and Merchandising.

“For about seven weeks, we sat as a team and accessioned every single one of them -- which meant touching every one of them, taking it out of its box, opening it up, writing a written description, tagging it with a number and then photographing it.”

The “we” that Wells is talking about includes fellow volunteer Terrie Cornell. And the items she’s referring to are handkerchiefs, 1,107 of them collected from between 1938 through the early 1970s.

Credit Stacy Nick / KUNC
Avenir Museum volunteers Marcella Wells and Terrie Cornell

The collection included hankies of almost every conceivable type and for every occasion. Black ones for funerals. Festive ones for holidays. Commemorative hankies for the Rose Bowl and the 1962 Seattle World’s Fair.

The collection had resurfaced when the museum moved into its new facility at the University Center for the Arts in 2016, said museum curator Katie Knowles.

Credit Stacy Nick / KUNC
A handkerchief commemorating the 1962 Seattle World's Fair.

The collection’s size, along with the diversity of styles and fabrics, made it unique, Knowles said. Not to mention the fact that the handkerchief was now a symbol of a bygone era.

“It’s something that is really recognizable to people, even though we don’t use them personally anymore,” she said. “A lot of people remember their mother or their grandmother using handkerchiefs.”

As they went through the boxes, Wells said they began to create a mental picture of who owned these handkerchiefs.

“I just envisioned a typical 1950s -- ‘40s, ‘50s -- housewife,” she said.

Credit Stacy Nick / KUNC
The collection also features designer handkerchiefs from illustrator Tom Lamb (shown) and artist Tammis Keefe.

Obviously, this was a woman who loved handkerchiefs. She was even a member of the Hanky of the Month Club, a subscription service for handkerchiefs that was popular in the 1940s and ‘50s. She was probably also sentimental. Many hankies in the collection included cards indicating they were gifts -- including a number from “Ed,” who they believed was her husband.

“To me, a collection like this from friends and family, would have meant something really heartwarming,” Wells said.

The one thing they didn’t have: the original owner’s full name. The only clue was a monogram on many of the handkerchiefs: “Florence.”

Credit Stacy Nick / KUNC
A monogrammed handkerchief from the collection told them the owner's first name, Florence.

“When she kept meticulous records of who gave her what, and when -- she never kept an envelope with these cards,” Terrie Cornell said. “She kept the cards -- they’re lovely -- but not the envelopes. It was very frustrating.”

It was a strange feeling going through the handkerchiefs and not having a full-name or a face to put with them, Cornell said. They desperately wanted more information, but too much time had passed. No one at the museum knew anything about the mystery man who dropped off the boxes back in the early 1990s.

After weeks of scouring through the collection, Cornell took one last look through the boxes.

And then she saw it: A lone envelope addressed to Florence Luebke.

Credit Stacy Nick / KUNC
The envelope that gave the Avenir Museum a name to go with the 1,107 handkerchiefs that had been donated.

“Luckily her name wasn’t Smith or Jones,” Cornell laughed. “I rushed home to my genealogical sources online and plugged her into Ancestry and Family Search, and bam! Up she came.”

Florence Luebke was a file clerk from Chicago. The daughter of German immigrants, she had three sisters and one brother. And while Cornell and Wells were wrong about Ed -- Luebke never married or had children -- they were right about one thing: She was very loved.

“She was fierce, and she was fearless,” said Pat Gilbert O’Neill, Luebke’s grandniece.

O’Neill’s father, Paul Gilbert, had been a physical education professor at CSU. He also was the mystery man who donated Luebke’s collection to the museum all those years ago.

Luebke died in 1985 after moving to Fort Collins in the 1970s to be close to her family. Gilbert, who passed away in 2015, had been the keeper of many of the family heirlooms. O’Neill said it was just like her father to find the best possible home for her aunt’s collection.

Credit Stacy Nick / KUNC
Some of the more whimsical handkerchiefs include these "calorie count' and 'keep slim' designs from the 1950s.

“I think that was wonderful of my dad to donate the handkerchiefs to the museum, which would truly appreciate this donation of textiles,” O’Neill said.

After being contacted by the museum, O’Neill helped fill in the gaps about “Auntie Flo,” as she called her.

Credit Courtesy of Patricia Gilbert O'Neill
The Luebke sisters always lined up in order of oldest to youngest: (L to R) Florence, Violette, Ida and Esther.

Luebke was a “fierce and fearless” career woman who blazed her own trail at a time when options were limited for women, she said. She loved riding roller coasters, even into her 70s. She was generous and kind and loved her family, particularly her three sisters, who vacationed together every summer and posed in their birth order for every photo. In fact, the “Ed” referenced in the cards was not a paramour, but a nickname for her older sister, Esther,

The handkerchiefs? Those were a mystery to O’Neill, who never remembered seeing them displayed. As a teen, O’Neill said she did see a large stack of boxes in her aunt’s tiny studio apartment. Luebke told her they were full of her “treasures.”

“I didn’t realize at the time that it probably was -- a lot of it was handkerchiefs,” she said.

O’Neill also shared photos of Florence that are now part of the Avenir Museum’s latest exhibit, “Nothing to Sneeze At: One Woman - 1,107 Hankies.”

“What this exhibit really does well is talks about the history of the hankie as an object, but then when we figured out who Florence was, we also get to tell the story of who this particular hankie collector was, and how this collection represents her story,” said museum curator Knowles.

Luebke was a single woman, living in a big city on her own, she said. She kept family and friends close through these handkerchiefs.

It’s not often that single donations come with so much documentation, Knowles said. That fact is also pretty telling about how detail-oriented Luebke was.

“Well, she was a file clerk,” she said. “I mean, she took her work home with her. I guess she really liked filing.”

For Wells, who curated the exhibition, working with the collection has given her a greater appreciation of an item she didn’t really give much thought to before.

“When I see a hankie now in a thrift store or a vintage collection, I always spend an extra few seconds with it because -- that meant something to someone at some point.”

"Nothing to Sneeze At: One Woman - 1,107 Hankies" is on display at the Avenir Museum at Colorado State University's University Center for the Arts through August 2018.

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