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  • A new exhibit at New York University, "Archivist of the Yellow Peril," features Yoshio Kishi's gripping collection of Asian Americana. The exhibit demonstrates how images of Asian Americans were formed, and often distorted, over the years. Jon Kalish reports.
  • Led by poets Ed Sanders and Tuli Kupferberg, the garage-rock band The Fugs became a pivotal player in the American underground of the mid- to late '60s. The group retired in 1969 but re-formed in the mid-'80s and has performed and recorded regularly ever since. The band is set to release what could be its last album.
  • In the late 1800s, Jewish immigrants brought the Eastern European tradition of synagogue murals to Burlington. Now one such mural, painted in 1910, is being restored.
  • The writer behind hits like The Odd Coupleand Barefoot in the Park, known for his zany characters and comic dialogue, won over two dozen nominations for Tonys, Emmys and Oscars.
  • Andy Statman made a musical name for himself as a pioneer of progressive bluegrass. But his eclectic approach to recording and performing has often kept his music from the public. But two new CDs are on their way to the market.
  • DIY hacker spaces have been called "gyms for innovators." The facilities, which allow DIYers the space and tools to create and invent, have become incubators for small businesses.
  • From the late 1940s to the mid-'60s, Latin music was hugely popular in America's Jewish community. Entire albums were recorded as testaments to the phenomenon. One of them, which put Jewish classics to a Latin beat, has just been reissued. This weekend, it will be re-created in concert at Lincoln Center in New York.
  • Highly interactive sites cater to a growing number of life-hackers who want to do everything from modify cell phones to make their own furniture.
  • "Professor" Irwin Corey is known as "the world's foremost authority." His birthday bash was held this week at the Actors Temple in New York City.
  • Martin Ramirez was diagnosed as a catatonic schizophrenic soon after he immigrated to the United States from Mexico in 1925. During his 30 years in mental institutions, Ramirez produced more than 300 mesmerizing drawings. Much of his work is now on display in a major retrospective at the American Folk Art Museum in Manhattan.
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