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Tiny Desk Concerts from NPR's All Songs Considered features your favorite musicians performing at Bob Boilen's desk in the NPR Music office. This is the AUDIO only archive.Are you a fancy A/V nerd and need video? Visit our new Tiny Desk Concert video channel. Eye-popping video and all of the music you've come to expect.

Anaïs Mitchell: Tiny Desk Concert

Her voice is soft and sweet, her guitar work deft and evocative, but Anaïs Mitchell is a songwriting storyteller first and foremost. Robbed of a gift for melody and poetry, Mitchell would probably (and may yet) write some tremendous novels. Her ambitious recent discography bears out that notion: The 2010 album version of her star-packed folk opera Hadestown recasts Greek legend in America, while this year's Young Man in America turns her thoughts to the pitfalls of modern life, inspired in part by the works of Mitchell's writer father.

Thankfully, as this Tiny Desk Concert in the NPR Music offices demonstrates, Mitchell possesses a warm and ingratiating style to go with her evocative, impeccably crafted lyrics. Singing and playing alongside guitarist and longtime collaborator Michael Chorney, she performs three of Young Man in America's most bracingly beautiful songs with clear-eyed directness that requires no adornment.

Set List

  • "Shepherd"
  • "Young Man In America"
  • "Tailor"
  • Credits

    Producer: Bob Boilen; Editor: Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Mito Habe-Evans, Christopher Parks; photo by Lauren Rock/NPR

    Copyright 2021 NPR. To see more, visit https://www.npr.org.

    Stephen Thompson is a writer, editor and reviewer for NPR Music, where he speaks into any microphone that will have him and appears as a frequent panelist on All Songs Considered. Since 2010, Thompson has been a fixture on the NPR roundtable podcast Pop Culture Happy Hour, which he created and developed with NPR correspondent Linda Holmes. In 2008, he and Bob Boilen created the NPR Music video series Tiny Desk Concerts, in which musicians perform at Boilen's desk. (To be more specific, Thompson had the idea, which took seconds, while Boilen created the series, which took years. Thompson will insist upon equal billing until the day he dies.)