Petra Mayer | KUNC

Petra Mayer

Petra Mayer is an editor (and the resident nerd) at NPR Books, focusing on fiction, and particularly genre fiction. She brings to the job passion, speed-reading skills, and a truly impressive collection of Doctor Who doodads. You can also hear her on the air and on the occasional episode of Pop Culture Happy Hour.

Previously, she was an associate producer and director for All Things Considered on the weekends. She handled all of the show's books coverage, and she was also the person to ask if you wanted to know how much snow falls outside NPR's Washington headquarters on a Saturday, how to belly dance, or what pro wrestling looks like up close and personal.

Mayer originally came to NPR as an engineering assistant in 1994, while still attending Amherst College. After three years spending summers honing her soldering skills in the maintenance shop, she made the jump to Boston's WBUR as a newswriter in 1997. Mayer returned to NPR in 2000 after a roundabout journey that included a master's degree in journalism from Columbia University and a two-year stint as an audio archivist and producer at the Prague headquarters of Radio Free Europe/Radio Liberty. She still knows how to solder.

Australian author Garth Nix anticipated the boom in young adult literature almost 20 years ago with Sabriel, a dark and delightful tale of a young woman from a long line of necromancers tasked with making sure the dead stay dead. Sabriel and its sequels Lirael and Abhorsen were set in two neighboring countries divided by a mysterious wall: to the south, unmagical Ancelstierre, roughly analogous to 1920s England — and to the north, the Old Kingdom, saturated by magic and menaced by the roaming Dead.

This is a story about love. It's a story about bad things happening to good people, about memory and perseverance — and comic books. But most of all, it's a story about a voice. A mellow, smooth voice, just right for late-night jazz.

The final book in Lev Grossman's Magicians trilogy comes out this week — The Magician's Land. It's a literary fantasy, inspired by Narnia and Harry Potter, that tells the story of what happens to brilliant young wizards when they grow up and have to deal with the world.

Grossman was promoting the novel at this year's San Diego Comic-Con, and as I discovered, he's a fantastic — and slightly terrifying — person to see Comic-Con with. He has no problem taking unspoken insecurities and dragging them out into the light.

The San Diego Comic-Con is in full swing — celebrating not just comics, but movies, TV, books, video games and really cool costumes. It's called cosplay: the art and science of dressing up like your favorite character.

Where would you go, if you had a time machine? Ancient Egypt? Tang Dynasty China? The Globe Theater, in 1599? Or maybe to the 25th century, because who knows, Buck Rogers might actually be there.

Author Ann Brashares became a young adult superstar more than a decade ago with the Sisterhood of the Traveling Pants, a feel-good series of books about the adventures of four best friends and a really great pair of jeans. It was eventually made into a couple of movies.

This afternoon, millions of fez-wearing fans around the world will tune in to a very special episode of Doctor Who. The venerable British sci-fi series turns 50 today — though the time traveling alien Doctor himself is probably somewhere on the wrong side of 1,000.

Go to your nearest paperback rack, and odds are, you'll see two or three, or four, or — well, a lot of books by Debbie Macomber, an author The Sacramento Bee has dubbed "the reigning queen of women's fiction."

Macomber has 170 million books in print; the newest, Rose Harbor in Bloom, has just been released. Her publisher, Random House, celebrated Macomber's selling power earlier this month with a fan retreat at the Gaylord Opryland resort in Nashville, where 400 women gathered for a weekend of tea, knitting and literary friendship.

Photographer Edward Curtis started off his career at the tail end of the 19th century, making portraits of Seattle's wealthiest citizens. But a preoccupation with Native Americans and a chance encounter on a mountaintop triggered an idea: Curtis decided to chronicle the experience of the vanishing tribes — all of them. It was an unbelievably ambitious project that would define Curtis, his work and his legacy.

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