Neda Ulaby

Neda Ulaby reports on arts, entertainment, and cultural trends for NPR and hosts its award-winning Culturetopia podcast. Her work includes profiling actors, authors, musicians, and those who inform the world through creative expression, and covering the complicated relationships between art, artists, and society.

Ulaby came to NPR in 2000 when she was recruited through NPR's Next Generation Radio, and landed a temporary position on the cultural desk as an editorial assistant. She soon started reporting regularly, augmenting her radio work with arts journalism for the Washington [D.C.] City Paper.

Most recently, Ulaby's stories have included a series on women record producers, an investigation into exhibitions of plastinated human bodies, and a look at the legacy of gay activist Harvey Milk. Her profiles have brought listeners into the worlds of such performers as Ellen Page, Timbaland, Mark Ruffalo, Courtney Love, and the RZA; writers Sarah Waters and Etgar Keret; and directors Hayao Miyazaki, Fatih Akin, and Eli Roth.

NPR’s Culturetopia, Ulaby’s weekly podcast of NPR's best arts stories, won a Gracie award for Outstanding Podcast from the American Women in Radio and Television. Ulaby has received the USC Annenberg/Getty Arts Journalism Fellowship and a fellowship from the Knight Center for Specialized Journalism to study youth culture.

A former doctoral student in English literature, Ulaby was managing editor of Chicago's Windy City Times, and co-host of the radio program, “What's Coming Out at the Movies.” Her film reviews appeared in alternative papers nationwide. She also edited fiction for The Chicago Review, and served on the editing staff of the leading academic journal Critical Inquiry. Ulaby’s articles on slapstick comedy have been published internationally. She taught classes in the humanities at the University of Chicago, Northeastern Illinois University, and at high schools serving at-risk students.

Ulaby was born in Amman, Jordan, and grew up in the Midwest of the United States. After graduating from Bryn Mawr College, she worked as an intern for the features desk of the Topeka Capital-Journal. Ulaby lives in Washington, D.C., with her partner, Robin, and their three-legged dog.

 

The museum faced a docent dilemma.

When Ellen Owens, director of learning and public engagement at the Penn Museum, looked at her pool of docents, she saw a wonderful — and aging — group of largely white people. Docents explain exhibits to visitors and show them around the galleries. Owens thought that having docents from a range of ages and backgrounds might be a good way to connect with more diverse communities who might not otherwise be drawn to the Penn Museum.

We've been telling stories about pandemics for a very long time. From an eighth century BCE poem about a Babylonian plague god to the Old Testament's ten plagues of Egypt to, well, the AMC megahit zombie show The Walking Dead, now in its tenth season.

The technical wonder of a movie, 1917, could win up to 10 Oscars on Sunday. Filmed to look like a single shot, its view is glued upon two soldiers racing behind enemy lines during the ravages of World War I. This is the second time in recent years that a one-shot film swept up Oscar nominations.

Bryan Stevenson's bestselling book Just Mercy may not seem like the most obvious candidate for a splashy Hollywood movie adaptation. It's about the founding of a not-for-profit advocacy organization that helps low-income people who were denied fair trials. And the plot follows the grueling legal work necessary to appeal the sentences of convicted murderers on Alabama's death row, not all of whom are wrongly accused.

For the first time, a director from South Korea have been nominated for a Golden Globe award – the latest in an ongoing flurry of accolades for Bong Joon-ho and his dark social satire, Parasite. The film's already won the Palme d'Or, a New York Film Critics Circle Award, and it was named the year's best film by the Los Angeles Film Critics Association. Now, speculation's flying as to whether Parasite could be the first-ever foreign language film to win a Best Picture Oscar.

Walters Sports Bar is a gleaming new pub just blocks from the largest stadium in Washington, D.C. The decor is industrial chic — exposed ducts and poured concrete floors — and it's spacious enough to accommodate the enormous throngs of elated fans who crowded in after the Washington Nationals' recent World Series win.

On a recent night, the bar was quieter. Still, customer after customer strode up to a stainless steel wall lined with beer taps to insert a card, touch a screen and pour a glass of self-serve beer.

No waitstaff. No waiting.

The South Korean movie Parasite, a tale of the rich Park family and the poor Kim family, is an international sensation — partly because of universal themes like the conflict between haves and have-nots. But certain elements of Parasite are specifically South Korean, including its architecture.

Robert Evans – the once vice president of production at Paramount who was responsible for critically acclaimed films such as The Godfather parts 1 and 2, Chinatown, and Serpico – died Saturday at the age of 89.

While Evans was known for his string of '70s cinema hits, he was also convicted of cocaine possession in 1980. He detailed his own rise and fall in the industry in his 1994 memoir The Kid Stays in the Picture.

How mainstream is horror today? Frighteningly mainstream. Let's just look at some of the biggest smash hits recently on television and streaming video: Shows like Stranger Things, American Horror Story and The Walking Dead all fit into to this once-maligned genre.

Harold Bloom was a rarity: a best-selling and widely known literary critic. Affectionately dubbed the "King Kong" of criticism, Bloom died Monday at the age of 89, at a hospital in New Haven, Conn., according to his wife,

Over a redoubtable career, Bloom wrote scores of books, edited hundreds more and irritated innumerable intellectuals by arguing, for example, for the superiority of Western literary traditions.

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