Susan Stamberg

Nationally renowned broadcast journalist Susan Stamberg is special correspondent for NPR. Stamberg is the first woman to anchor a national nightly news program, and has won every major award in broadcasting. She has been inducted into the Broadcasting Hall of Fame and the Radio Hall of Fame. Beginning in 1972, Stamberg served as co-host of NPR's award-winning newsmagazine All Things Considered for 14 years. She then hosted Weekend Edition Sunday, and now serves as guest host of NPR's Morning Edition and Weekend Edition Saturday, in addition to reporting on cultural issues for all the NPR programs.

One of the most popular broadcasters in public radio, Stamberg is well-known for her conversational style, intelligence, and knack for finding an interesting story. Her interviewing has been called "fresh," "friendly, down-to-earth," and (by novelist E.L. Doctorow) "the closest thing to an enlightened humanist on the radio." Her thousands of interviews include conversations with Laura Bush, Billy Crystal, Rosa Parks, Dave Brubeck, and Luciano Pavarotti. Stamberg is one of the pioneers of NPR, on staff since the network began in 1971.

Prior to joining NPR, she served as producer, program director, and general manager of NPR member station WAMU-FM/Washington, DC. Stamberg is the author of two books, and co-editor of a third. TALK: NPR's Susan Stamberg Considers All Things chronicles her two decades with NPR. Her first book, Every Night at Five: Susan Stamberg's ALL THINGS CONSIDERED Book, was published in 1982 by Pantheon. Stamberg also co-edited The Wedding Cake in the Middle of the Road, published in 1992 by W. W. Norton. That collection grew out of a series of stories Stamberg commissioned for Weekend Edition Sunday.

In addition to her Hall of Fame inductions, other recognitions include the Armstrong and duPont Awards, the Edward R. Murrow Award from the Corporation for Public Broadcasting, The Ohio State University's Golden Anniversary Director's Award, the Distinguished Broadcaster Award from the American Women in Radio and Television. A native of New York City, Stamberg earned a bachelor's degree from Barnard College, and has been awarded numerous honorary degrees including a Doctor of Humane Letters from Dartmouth College. She is a Fellow of Silliman College, Yale University, and has served on the boards of the PEN/Faulkner Fiction Award Foundation and the National Arts Journalism Program based at Columbia University's Graduate School of Journalism.

Stamberg has hosted a number of series on PBS, moderated three Fred Rogers television specials for adults, served as commentator, guest or co-host on various commercial TV programs, and appeared as a narrator in performance with the St. Louis Symphony Orchestra and the National Symphony Orchestra. Her voice appeared on Broadway in the Wendy Wasserstein play An American Daughter.

Her husband, Louis C. Stamberg, passed away in 2007. Their son Joshua is an actor.

 

Pages

12:01am

Thu June 30, 2011
Books

Margaret Mitchell's 'Gone With The Wind' Turns 75

Margaret Mitchell, pictured above in 1941, started writing while recovering from an ankle injury in 1926. She had read her way through most of Atlanta's Carnegie Library, so her husband brought home a typewriter and said: "Write your own book to amuse yourself." The result was Gone with the Wind.
Al Aumuller/Telegram & Sun Library of Congress

In June 1936, a blockbuster of a book was published; it gave the world a sense of the Old South, an unforgettable heroine and (in the movie version) the phrase "Frankly, my dear, I don't give a damn."

Margaret Mitchell's Gone With the Wind sold one million copies in its first six months, won the Pulitzer Prize in 1937, and brought an explosion of unexpected, unwished for celebrity to its author.

In Mitchell's hometown of Atlanta, Ga., a lovely old apartment building on South Prado Street bears a big, brass plaque. It reads:

Read more

5:42pm

Thu June 9, 2011
Music Interviews

A Big, Phat 'Rhapsody In Blue'

Originally published on Fri June 10, 2011 7:13 pm

Gordon Goodwin arranged "Rhapsody In Blue" for his Big Phat Band.
Concord Music Group

When one of this country's greatest composers died at age 39, novelist John O'Hara said, "George Gershwin died on July 11, 1937. But I don't have to believe it if I don't want to."

As is true for so many top musicians, Gershwin's works — his popular songs, his opera Porgy and Bess, his jazz-informed classical compositions — live on. Now, there's a new version of one of Gershwin's best-loved orchestral pieces, arranged for a brassy big band.

Read more

4:20am

Mon May 30, 2011
Books

Indy Booksellers Target Summer's Best Reads

Chris Silas Neal

Some of the best summers are those filled with journeys, reunions and good food. We hope that all three figure into your summer plans this year. As it happens, those themes also happen to be featured prominently in some of the books that our trusty independent booksellers are recommending for your summer reading pleasure.

Read more

12:01am

Wed May 18, 2011
Fine Art

Gabriel Metsu: The Dutch Master You Don't Know

In his 1664 painting, A Man Writing a Letter, Metsu depicts a handsome young scribe penning his correspondence in an opulent study.
Roy Hewson National Gallery of Ireland

When it comes to Dutch painters, Rembrandt and Vermeer are the best known. But have you ever heard of Gabriel Metsu? Vermeer and Metsu were contemporaries, but Metsu was the star in the Golden Age of Dutch painting during the 17th century — and long afterward.

"Metsu was still the top boy in the 19th century," says David Jaffe of the National Gallery in London. "Vermeer is a very early 20th-century discovery."

Read more

12:01am

Tue April 26, 2011
U.S.

The Golden Gate Bridge's Accidental Color

You'd think the color of the most photographed bridge in the world would have a more exciting name than "international orange." Something like "vermilion" or "terra cotta" or "burnt sienna" might seem more appropriate.

Whatever you call it, it's the vivid, unmistakable color of the Golden Gate Bridge, which turns 75 next year. But back in the 1930s, the now-iconic hue was a radical choice.

'Unique And Unconventional Treatment'

Read more

Pages