Susan Stamberg | KUNC

Susan Stamberg

Nationally renowned broadcast journalist Susan Stamberg is special correspondent for NPR. Stamberg is the first woman to anchor a national nightly news program, and has won every major award in broadcasting. She has been inducted into the Broadcasting Hall of Fame and the Radio Hall of Fame. Beginning in 1972, Stamberg served as co-host of NPR's award-winning newsmagazine All Things Considered for 14 years. She then hosted Weekend Edition Sunday, and now serves as guest host of NPR's Morning Edition and Weekend Edition Saturday, in addition to reporting on cultural issues for all the NPR programs.

One of the most popular broadcasters in public radio, Stamberg is well-known for her conversational style, intelligence, and knack for finding an interesting story. Her interviewing has been called "fresh," "friendly, down-to-earth," and (by novelist E.L. Doctorow) "the closest thing to an enlightened humanist on the radio." Her thousands of interviews include conversations with Laura Bush, Billy Crystal, Rosa Parks, Dave Brubeck, and Luciano Pavarotti. Stamberg is one of the pioneers of NPR, on staff since the network began in 1971.

Prior to joining NPR, she served as producer, program director, and general manager of NPR member station WAMU-FM/Washington, DC. Stamberg is the author of two books, and co-editor of a third. TALK: NPR's Susan Stamberg Considers All Things chronicles her two decades with NPR. Her first book, Every Night at Five: Susan Stamberg's ALL THINGS CONSIDERED Book, was published in 1982 by Pantheon. Stamberg also co-edited The Wedding Cake in the Middle of the Road, published in 1992 by W. W. Norton. That collection grew out of a series of stories Stamberg commissioned for Weekend Edition Sunday.

In addition to her Hall of Fame inductions, other recognitions include the Armstrong and duPont Awards, the Edward R. Murrow Award from the Corporation for Public Broadcasting, The Ohio State University's Golden Anniversary Director's Award, the Distinguished Broadcaster Award from the American Women in Radio and Television. A native of New York City, Stamberg earned a bachelor's degree from Barnard College, and has been awarded numerous honorary degrees including a Doctor of Humane Letters from Dartmouth College. She is a Fellow of Silliman College, Yale University, and has served on the boards of the PEN/Faulkner Fiction Award Foundation and the National Arts Journalism Program based at Columbia University's Graduate School of Journalism.

Stamberg has hosted a number of series on PBS, moderated three Fred Rogers television specials for adults, served as commentator, guest or co-host on various commercial TV programs, and appeared as a narrator in performance with the St. Louis Symphony Orchestra and the National Symphony Orchestra. Her voice appeared on Broadway in the Wendy Wasserstein play An American Daughter.

Her husband, Louis C. Stamberg, passed away in 2007. Their son Joshua is an actor.

 

Between 1871 and 1914, Paris enjoyed a long stretch without war. "It was a special moment — a particularly joyful and exuberant moment in Parisian history," says Emily Talbot. She's the curator of a new exhibition at the Norton Simon Museum in Pasadena, Calif., all about Paris' Belle Époque — or beautiful era.

Years ago, when artist John Sonsini began approaching Spanish-speaking day laborers in Los Angeles to ask if he could paint their portraits, he had some communication problems. "My Spanish was so poor," Sonsini admits.

First, he was introducing himself as an artista, a word that many Spanish speakers associate with a singer or dancer. But when he switched to pintor that didn't necessarily clear up the confusion — the men thought this professorial-looking, Italian-American with a salt-and-pepper beard was offering them a job painting houses.

It isn't hard to imagine yourself inside an Edward Hopper painting — having a coffee at a late-night diner, or staring out the bedroom window at the bright morning sun.

For decades, I've managed to sneak my family's controversial, Pepto-Bismol-pink cranberry relish recipe onto the air, and 2019 will be no exception. This year I went straight to the source: Bobby J. Chacko, President and CEO of Ocean Spray.

To start off, I want to know: Has he ever stood in a bog? "Absolutely," he answers. "It's one of the most exciting feelings when you're in waders and in water and all you have around are cranberries."

Standing in a sea of crimson, up to his hips in berries and cold water, Chacko says he feels like a kid again.

Many people may think of pastels as a medium for kids in art class. But at the National Gallery of Art in Washington, D.C., the "Touch of Color" exhibition celebrates the history of pastel from the Renaissance to the modern day.

These works of art are hard to exhibit — "They're very rarely loaned from other museums or to other museums because the medium is so delicate," explains National Gallery Director Kaywin Feldman.

Ingrid Bergman was a so-so typist. Katharine Hepburn's signature was indecipherable. Marlene Dietrich signed her letter to Ernest Hemingway as "Your Kraut."

A collection of letters, memos, telegrams and other written communiques from the golden age of Hollywood are collected in a new book. Letters from Hollywood, edited and compiled by Barbara Hall and Rocky Lang, is a delicious peek into very famous people's private lives.

A 10-minute drive from the White House — where immigration has a top spot on the President's "to-do" list — a museum has filled three of its floors with artists' reactions to displacement, relocation and flight.

Sculptor Augusta Savage once said: "I was a Leap Year baby, and it seems to me that I have been leaping ever since." Born on Feb. 29, 1892, Savage leapt from the Jim Crow South to public attention in the Harlem Renaissance, but is little known today. Now, her work is the focus of an exhibition at the New-York Historical Society, curated by Jeffreen Hayes and coordinated for the historical society by Wendy N.E.

Los Angeles jazz singer Judy Wexler has no record label. She is like many musicians in that way. But unlike many others, every few years, Wexler puts together and circulates a CD herself. That's right — not a streamed album, but a physical CD.

Legend has it that when Jacopo Tintoretto was 12 years old, he was so good at drawing that he rattled Titian — the master artist of Venice, 30 years his senior. Young Tintoretto was an apprentice in Titian's workshop and — as the story goes — the old master gone away for several days, and when he came back he found some of Tintoretto's drawings.

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