Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

The scores of Be More Chill, Beetlejuice, Hadestown, The Prom, To Kill a Mockingbird and Tootsie are all up for Tony Awards at the 73rd annual awards show.

Rupert Murdoch is arguably the most powerful man in media today. But in 1969 — before he owned Fox News, The Wall Street Journal, and newspapers and networks around the world — he was a hungry 38-year-old, looking to break into London's newspaper establishment. A new Broadway play called Ink chronicles those years.

Merce Cunningham in 1988.
AP

The choreographer Merce Cunningham would have turned 100 years old this week.

Actor and playwright Heidi Schreck says her new play — What the Constitution Means to Me — is a love letter to her mother.

The Broadway play — part personal memoir, part civics town hall — recreates the constitutional debate contests Schreck attended in high school. It's an attempt, she explains, to trace her evolving understanding of the U.S. Constitution and how it relates to her life, her family, and the women in her family in particular.

The Ferryman starts in a graffiti-covered back alley in Derry, Northern Ireland. A parish priest is questioned by an IRA captain — the body of a man who disappeared 10 years ago has been found in a bog.

The scene then shifts to the dead man's family and their farm. It's harvest time, 1981, and despite the joy and warmth abundantly on display, the first scene looms in the background.

There's a new star on Broadway. He's 20 feet tall, weighs 1.2 tons and requires 15 people to move.

His name is King Kong.

The gigantic puppet is the centerpiece of a $35 million musical, based on the classic 1933 film. In some ways, King Kong is a typical Broadway musical — there are songs and dances and dialogue. But what the audience really wants to see is the giant ape.

He is quite big — when he stands upright, snorting and sniffing and roaring, he's two stories tall. And he feels alive.

Editor's note: This story includes language that some may find offensive.

It was 1968. But playwright Mart Crowley felt he had to write what he knew.

"Nobody wanted the play," Crowley says. "Not even agents wanted to look at this play. They just thought it was pornographic and it was outrageous."

What he wrote in The Boys in the Band was a thinly veiled slice of autobiographical fiction. A group of gay friends gather for a raucous birthday party; by the end of the evening, secrets are spilled, tears are shed.

Remember A Chorus Line? The immensely popular 1975 musical looked at the stories of some of the people who often work completely anonymously on Broadway.

Tonight, the 2018 Tony Awards — Broadway's highest honors — will be handed out in a ceremony at Radio City Music Hall. Lead and featured actors in plays and musicals will win prizes.

A Chorus Line was nominated for 12 Tony Awards in 1976, and won nine. But the performers in real-life choruses aren't even eligible to win.

One of the oldest and most distinguished Spanish language theaters in the U.S. is housed in a converted Manhattan brownstone. "It started actually as a private house," explains Robert Federico, executive producer of Repertorio Español.

The space is tiny — rickety wooden stairs lead backstage and small props are stored in the hallway. The sets are designed to be stashed flush against walls behind black curtains.

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