Four years since they first began making music together, the Brooklyn-based duo Tanlines is finally releasing an album: Mixed Emotions, out tomorrow. The band is Eric Emm, who sings and plays guitar, and Jesse Cohen, who plays drums, keyboards and an assortment of electronic instruments. Cohen is also the chattier of the two.
"We use a lot of different drum kits that are in a computer," Cohen explains. "We also play a lot of stuff live, and a lot of time you can't really tell which is real and which is fake. That's sort of a thing that we like to play with."
When Susy Mansfield needed a hip replacement in 2009, her orthopedic surgeon chose a relatively new and untested kind of artificial hip made entirely of metal.
"He said, 'You're young. Metal is good for younger people. It's going to last a lot longer,' " says Mansfield, who was 57 at the time.
The style of music known as doo-wop had at least two heydays: Once in the 1950s and '60s, when the music was first recorded, and again during a revival in the '70s, thanks in part to nostalgic movies such as American Graffiti and Grease. But doo-wop is in a slump again, and one of its beacons in the northeast is about to close its doors after decades.
For some fans, nothing will ever replace the great vocal harmony groups.
James Mercer's distinctive voice and earnest songwriting have always been at the heart of The Shins, but these days they are the band's only constant. Port of Morrow, the group's new album and its first in five years, finds Mercer leading a completely new set of musicians.